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Crown Heights, Brooklyn

Equipment Locker.

Package and equipment pricing is negotiable based on what your shoot needs. Studio rentals include Gotta Digi / DIT.

Individual Equipment

Hover or tap an item for details.

Camera & Lenses

  • Sony FX2Sony FX2
    • The 33 MP full frame sensor captures stills and 4K motion on the same setup.
    • The tilting viewfinder lets the operator frame a low tabletop shot comfortably.
  • The five black DULENS Triassic cinema primes stand in front of their rigid carrying case.DULENS Triassic CF Set of Five Primes
    • Five full frame PL primes cover 25, 35, 50, 90 and 120mm, all opening to T2.8.
    • Matching gear positions keep the follow focus in place when you change focal lengths.
  • ZEISS Batis Set of Three PrimesZEISS Batis Set of Three Primes
    • The Sony E mount set combines an 18mm f/2.8, 40mm f/2 CF and 85mm f/1.8.
    • Cover the room, a tabletop detail and a tight portrait with three autofocus primes.
  • ZEISS Batis 18mm f/2.8ZEISS Batis 18mm f/2.8
    • The 18mm full frame prime takes in a wide field of view from a tight corner.
    • Its f/2.8 aperture helps hold exposure when working with available light.
  • ZEISS Batis 40mm f/2 CFZEISS Batis 40mm f/2 CF
    • The 40mm f/2 prime focuses as close as 24 cm from the sensor.
    • Move from a portrait to a detail in the subject’s hands with the same lens.
  • ZEISS Batis 85mm f/1.8ZEISS Batis 85mm f/1.8
    • An 85mm focal length gives the photographer room to work on a tight portrait.
    • Open to f/1.8 to separate the subject from a busy background.
  • Representative filters shown.Lens Filter Kit
    • Variable ND cuts one to five stops so you can hold your chosen aperture.
    • Use the CPL to tame glass reflections or ¼ Black Mist to soften bright highlights.
    Representative filters shown.

Motion & Focus

  • DJI RS 4 Pro gimbal shown with a translucent reference camera.DJI RS 4 Pro Combo
    • Three stabilized axes smooth walking shots with balanced builds up to 10 lb.
    • The Ronin Image Transmitter lets the director see the frame away from the operator.
  • Tilta PL to E autofocus adapter and dual motors laid out beside the control handle and handwheel.Tilta Nucleus Nano II with PL to E Autofocus
    • The PL to E adapter translates autofocus data from supported Sony bodies into motor movement.
    • Two Nano II motors, a handwheel and a handle give a focus puller control of focus and iris.
  • The edelkrone slider, motorized heads, tilt bracket and small turntable module.edelkrone PackShot GO Slider Bundle
    • The motorized SliderONE and two HeadONE units repeat slide, pan and tilt moves.
    • The turntable rotates products at a controlled pace for matching passes.

Lighting & Modifiers

  • Aputure NOVA II 1×1 Key KitAputure NOVA II 1×1 Key Kit
    • A 500 W tunable color panel and fitted softbox give faces a broad, soft key.
    • The grid controls spill while the roller stand lets you reposition the whole setup.
  • Aputure STORM 80c Kit of Three LightsAputure STORM 80c Kit of Three Lights
    • Three compact color fixtures let you set key, fill and background levels independently.
    • A 1,800 to 20,000 K range helps match warm practicals or cool window light.
  • Godox AD200Pro II Flash PairGodox AD200Pro II Flash Pair
    • Two 200 Ws flash heads run on batteries, so you can set a key and a second light without AC cables.
    • The included X3Pro S trigger adjusts the heads separately from a Sony camera.
  • Aputure NOVA II 1×1 Travel KitAputure NOVA II 1×1 Travel Kit
    • A 500 W tunable color panel makes a broad source for interviews or tabletops.
    • Dial in white light for the subject or a saturated color for the background.
  • Godox AD200Pro IIGodox AD200Pro II
    • The 200 Ws flash runs on batteries when AC power is hard to reach.
    • Use the Fresnel head for a directed beam or the bare bulb to fill a modifier.
  • Godox X3Pro SGodox X3Pro S
    • This touchscreen trigger mounts on a Sony camera and controls compatible Godox flashes wirelessly.
    • Set TTL or manual power by group to balance key and fill from the camera.
  • Aputure MT Pro Tube PairAputure MT Pro Tube Pair
    • Two 12 in RGBWW tubes each contain 36 individually addressable pixels.
    • Place one on either side of a bottle to draw narrow reflections along both edges.
  • Front view of the rectangular Aputure MC Pro pocket light.Aputure MC Pro Pocket Light
    • This RGBWW pocket panel runs on batteries and adjusts from 2,000 to 10,000 K.
    • Hide it beside a product for a small fill or place it behind the subject for a color accent.
  • Aputure Accent B7c with a frosted dome and screw base.Aputure Accent B7c
    • The internal battery lets you put a working lamp in frame without running a cable.
    • Dim the bulb or adjust its color from Sidus Link to match the light on your subject.
  • T2c shown as a reference. Confirm the exact model when booking.amaran LED Tube (2 ft)
    • The 2 ft tube makes a long, narrow source for tabletop reflections.
    • Tuck it behind scenery to light the background while keeping the fixture out of frame.
    T2c shown as a reference. Confirm the exact model when booking.
  • Aputure NOVA II 1×1 SoftboxAputure NOVA II 1×1 Softbox
    • Choose one or two stops of diffusion to soften the NOVA II 1×1 panel.
    • The 45° fabric grid limits spill onto a background or a second subject.
  • Aputure Lantern 30Aputure Lantern 30
    • Two 30 cm spherical diffusers fit the STORM 80c fixtures.
    • Suspend one over a table for soft light that reaches subjects on both sides.
  • Aputure Quick Dome 40Aputure Quick Dome 40
    • A 40 cm parabolic softbox fits the STORM 80c and produces a circular catchlight.
    • Place it close for a soft key that fits beside a portrait or tabletop set.

Tripods & Grip

  • SIRUI SQ75 + VHS10SIRUI SQ75 + VHS10
    • Carbon fiber legs and a 75mm fluid head support a level camera build.
    • Adjustable drag and seven counterbalance settings help keep pans and tilts smooth.
  • Avenger Roller Stand 34Avenger Roller Stand 34
    • The 11 ft stand accepts fixtures with either baby or junior fittings.
    • Roll a light between marks and lock the casters before shooting.
  • Representative stand and flag; included sandbag shown.Studio Grip Kit
    • Three C stands and three 12 ft stands support fixtures, flags and modifiers.
    • Use the flags to cut spill and the nine included sandbags to ballast the stands.
    Representative stand and flag; included sandbag shown.
  • Ten rods, six grip heads, two weighted bases and two shot bags from the Matthews MICROgrip Master Kit.Matthews MICROgrip Master Kit
    • Six grip heads and two weighted bases let you position small flags and bounce cards close to a product.
    • Ten rods in five lengths (4, 6, 8, 12 and 20 inches), with two of each.
    • One adapter pin, one clip, two shot bags and a carrying case.
  • Raya collapsible reflector, shown as a reference.Raya 4 ft Bounce
    • Use the 4 ft bounce to return window light or flash to the shadow side of a face.
    • Move it closer to lift the shadows or angle it away to keep more contrast.
    Raya’s 42 in reflector is pictured.
  • A rigid beadboard bounce panel.B Board (Beadboard)
    • A rigid bounce board holds its shape from take to take.
    • Place it beside a portrait or just outside a tabletop frame to open up the shadows.
  • One wooden Impact apple box with handholds.Impact Apple Boxes · Pair
    • Two wooden boxes give you quick height adjustments for props or seated portraits.
    • Turn a box onto a different face to adjust the height between shots.
  • Two black Impact Deluxe Varipoles.Impact Deluxe Varipoles · Pair
    • Two adjustable black poles mount under tension between the floor and ceiling.
    • Use Super Clamps to position a flag or bounce without adding another stand at floor level.
  • Representative Super Clamp from the grip assortment.Assorted Grip · Clamps & Tape
    • Super Clamps mount accessories to stands or poles. Spring clamps hold cards and fabric in place.
    • Use tape for floor marks, cable labels and repeatable prop positions.

Monitoring & Color

  • Hollyland Mars M1 EnhancedHollyland Mars M1 Enhanced
    • The 5.5 in touchscreen gives the operator a separate view of the frame.
    • Switch between transmit and receive to place a wireless picture where the crew needs it.
  • Representative ASUS ProArt display shown.ASUS ProArt 4K Client Monitor
    • A 4K display in the 16 inch class gives the client a larger view away from the camera.
    • Check fine texture, framing or styling together before moving to the next shot.
    Representative ASUS ProArt display shown.
  • Acer Predator X34 GS curved ultrawide monitor on its stand.Acer Predator X34 GS
    • The 34 in, 3440 × 1440 screen lets you compare two Capture One selects side by side.
    • Connect over USB C, DisplayPort or HDMI to review playback with the editor at the DIT station.
  • Datacolor LightColor MeterDatacolor LightColor Meter
    • Measure exposure and color temperature where the subject stands.
    • Live readings on a paired phone let you watch the numbers while adjusting a fixture.
  • Calibrite ColorChecker Passport Video 2Calibrite ColorChecker Passport Video 2
    • Four compact reference targets cover color, exposure and white balance.
    • Film a reference after each lighting change to help match angles in the grade.

Sound

  • RØDE Interview Audio KitRØDE Interview Audio Kit
    • Two Wireless PRO transmitters record each speaker with 32 bit float onboard backup.
    • The directional shotgun gives you another way to capture dialogue or room tone.

Media & Power

  • Representative 480 GB card shown.480 GB CFexpress Type A
    • A 480 GB CFexpress Type A card fits the FX2’s Type A slot.
    • The capacity leaves room for longer takes between card changes.
    Representative 480 GB card shown.
  • Included Sony 64 GB card shown.SD Card Kit
    • The kit includes a 64 GB Sony TOUGH UHS II SDXC card.
    • Use it for stills capture and rotate cards while the DIT offloads a session.
    Included Sony 64 GB card shown.
  • Representative 99 Wh battery shown.V Mount Battery Kit
    • Two 99 Wh batteries and one smaller 50 Wh pack power compatible V mount gear.
    • Use the smaller pack on a moving rig and keep a larger pack ready for longer setups.
    Representative 99 Wh battery shown.

Tether & Workstation

  • Front view of the silver Apple Mac Studio workstation.Apple Mac Studio · M2 Ultra
    • The studio’s Mac Studio has an M2 Ultra and 64 GB of unified memory.
    • Run a Capture One session, inspect fine detail and offload the shoot’s media.
  • Open Apple MacBook Air M2.Apple MacBook Air M2
    • Connect the camera by USB C to capture stills straight into a Capture One session on location.
    • Check focus at full size and mark selects with the client beside the set.
  • A USB C tether cable.USB C Tether Cable
    • Connect the Sony FX2 to the Mac Studio or MacBook Air M2 over USB C.
    • Review focus and styling on the workstation as each photograph arrives.
    Representative USB C cable shown.

Included with studio rental

Gotta Digi / DIT

I run Capture One for tethered stills, monitor the camera feed on motion shoots, and offload your camera media on set.

  • Mac Studio M2 Ultra + Acer Predator X34 GS for studio review
  • MacBook Air M2 for mobile Capture One tethering
  • USB C tether cable
  • Hollyland video monitoring + ASUS ProArt client display
Open Apple MacBook Air M2.Acer Predator X34 GS curved ultrawide monitor on its stand.Front view of the silver Apple Mac Studio workstation.Hollyland Mars M1 Enhanced

Camera Packages

  • SIRUI tripod, DULENS Triassic primes, Sony FX2 body and Hollyland monitor.

    Cinema

    A PL cinema build with a fluid head and a dedicated monitor for checking framing and focus on set.

    • Sony FX2 + five DULENS Triassic CF PL primes, 25 mm to 120 mm
    • Tilta Nucleus Nano II focus kit + PL to E autofocus adapter
    • SIRUI SQ75 tripod and VHS10 fluid head + Hollyland Mars M1 Enhanced monitor
    • Lens filters, recording media and V mount power
  • Sony FX2Open Apple MacBook Air M2.ZEISS Batis Set of Three PrimesA USB C tether cable.

    Tethered Stills

    Shoot portraits or tabletop stills directly into Capture One. Review focus, color and selects as the images come in.

    • Sony FX2 + ZEISS Batis 18mm, 40mm and 85mm primes
    • Capture One + USB C tether cable
    • MacBook Air M2 on location or Mac Studio M2 Ultra + Acer X34 GS in studio
    • SIRUI tripod, ColorChecker and SD media
  • RØDE wireless microphones with the Sony FX2 camera and the Hollyland monitor.

    Interview

    A compact camera setup for static shots, with wireless sound for two speakers and a separate monitor for the director.

    • Sony FX2 + ZEISS Batis 18mm, 40mm and 85mm primes
    • SIRUI tripod and fluid head + Hollyland Mars M1 Enhanced monitor
    • RØDE Wireless PRO and shotgun microphone
    • Recording media and V mount power

Grip & Lighting Packages

  • Two Godox flash heads and a trigger alongside the meter and representative grip hardware.

    Portrait Flash

    Two portable strobes run on batteries for headshots, portraits or product stills. Set a key and fill, then adjust both from the camera.

    • Two Godox AD200Pro II flashes + X3Pro Sony trigger
    • Datacolor LightColor meter
    • Two stands and sandbags
    • 4 ft Raya bounce for fill + two Impact apple boxes for posing
  • The NOVA II panel, softbox and two MT Pro tube lights.

    Interview Lighting

    A soft key on the subject and two compact tubes for a rim light or a wash across the background.

    • Aputure NOVA II 1×1 + softbox and grid
    • Avenger roller stand + grip and sandbags
    • Two Aputure MT Pro tubes
    • Aputure Accent B7c for a lamp in frame + beadboard for fill
  • Three STORM lights with the NOVA panel and a selection of grip equipment.

    Full Grip & Lighting

    For sets that need several light sources and room to shape them, from a tabletop build to a wider scene.

    • NOVA II 1×1 key kit + three Aputure STORM 80c fixtures
    • Two MT Pro tubes, one MC Pro pocket light and one Accent B7c bulb
    • Two Lantern 30s, Quick Dome 40, 4 ft Raya bounce and beadboard
    • Three C stands, three 12 ft stands, flags, mounts and nine sandbags
    • Two Impact apple boxes, two Impact Deluxe Varipoles and the Matthews MICROgrip Master Kit
    • Super Clamps, A clamps and tape

Send Your Shoot Dates

Tell me what your shoot needs. I can subrent or purchase additional gear. I’ll get back to you with availability and a quote.

alexander@xgotta.com